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The Handmaid's Tale and the Power of a Look

She’s received the look. The look of defiance, the look of concern, the look of horror, the look of pleasure, the look of willpower…it is all about appears to be like, glares and glances on The Handmaid’s Story.

Season two of the Emmy-winning Hulu drama got here to an finish on Wednesday, July 11 with a game-changing finale stuffed with a few of the greatest appearing on TV.

Warning, spoilers for the season two finale of The Handmaid’s Story comply with.

The ladies of The Handmaid’s Story conveyed a lot emotion with simply their faces, particularly their eyes, and particularly within the intense finale. In a present the place the feminine characters have had their rights stripped away and their voices silenced, the actors exude feelings and energy silent feelings and thru the best way they have a look at folks. Alexis Bledel is especially skillful at this, particularly within the season two finale.

Bledel’s character, Emily, discovered herself in uncharted territory with a mysterious new commander performed by Bradley Whitford. He had an unstable spouse, a home stuffed with eccentric artwork, and declined the normal handmaid breeding ceremony. Bledel weaved the concern Emily was feeling with mistrust and sorrow as Commander Lawrence requested her about her son and previous deeds in episode 12. She deftly saved the character’s anger at Gilead and what has been executed to her effervescent beneath the floor, a flicker at all times current in her eyes.

Maybe considered one of Bledel’s best feats of the season was her finale scene with Ann Dowd‘s Aunt Lydia. Emily seemingly made up her thoughts she was going to go down preventing in that home, so when she did not stab her commander, she stabbed Aunt Lydia with a butter knife. She knocked her over a railing and down the steps, kicking her as she went. The fashion on her face subsided to pleasure, and elation. She did it, she fought again!

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Then, her face rapidly twitched and adjusted. She did it, she attacked, however did not kill (extra on that right here), a high-ranking Gilead official. All hope of ever seeing her son once more was gone. It was clear on her face. The panic continued as her commander took her into the automobile and did not fade till she was with June/Offred (Elisabeth Moss) on the road. She was (in all probability) getting out of Gilead.

After which there’s Aunt Lydia. Regardless of her authoritarian mouthpiece position, Dowd is ready to painting the care and affection the character has for the handmaid’s she oppresses. It is all within the appears to be like she offers, the priority she has on her face for Offred when discussing her child, the enjoyment she has when Emily’s commander lies and tells her the ceremony went effectively. Dowd portrays a nurturing determine, regardless of her villainous position to viewers.

Moss’ June struggled to cover her emotions this 12 months. Her concern was palpable in episode 11 as she hid within the attic, pointing a shotgun at Commander Waterford (Joseph Fiennes) and Serena (Yvonne Straovski). The anguish she felt as Eden (Sydney Sweeney) drowned earlier than her eyes flashed throughout her face for a whole episode.

Plus, the best way Moss checked out Strahovski’s character shifted because the season progressed. There was admiration at occasions, disgust, concern, hate, empathy—the entire gambit. June checked out Serena at occasions, principally saying “I dare you” with simply her eyes. She dared her to make use of her energy and voice to raised child Nicole’s life. After all it did not work out effectively for Serena, she misplaced a finger for it. However the battle inside Serena mirrored on her face, all the best way up till her closing season two scene. She feared for Nicole, she knew Gilead had gone too far. She was damaged.

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All through the season, Strahovski portrayed a tormented Serena Pleasure, a girl whose face merely twitched and also you knew what she was pondering. She knew she and the opposite ladies deserved higher than what Gilead was giving them, however she nonetheless believed (or believes, we’ll see in season three) within the Gilead motion.

The tagline on the season two poster of The Handmaid’s Story was “Reclaim your identify.” Defiance. And that is precisely what each girl (sans Aunt Lydia) displayed at one level this 12 months, particularly within the finale. For Amanda Brugel‘s Rita it was when she helped June escape with Nicole. For Emily it was her assault on Aunt Lydia. For Serena it was when she learn the bible. For June it was the ultimate scene after she insured Nicole was on her method out with Emily.

Now, June was ready to show her consideration towards saving her different daughter, Hannah. The season ended with Moss’ character trying straight into the digicam and elevating her hood, defiant.

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